Karen L. Turner

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Articles And Reviews

Excerpts

 

 

Reviews

 

Cottonland Songstress (first printing)*

 

*[This review, now running on Amazon and Barnes & Noble, is from the earlier printing of Cottonland Songstress. The reviewer is not describing the newer version now available in softcover and e-book formats.]

Cassandra Madison, A reviewer, March 1, 2005

A good book with a great storyline - FOUR STARS

 

 

At first this reviewer found it hard to stay with the story, mainly because of my unfamiliarity of the world of Opera. But diligence and persistence pays off for one who commits to reading the entire book. The story gets interesting as a man during the time period where slavery in the US is large and rampant. Peter Stohl visits his old friend whose letters boast of wealth and in-breeding on the backs of his slaves. He decides that a trip will provide both a much needed vacation and a chance to understand his American friend’s obsession with slavery. What he finds during his visit leads him on path to rescuing, educating, respecting and developing the raw vocal abilities of a meager slave. Of course he meets with plenty of opposition and almost fails in his attempt to buy the slave who he envisions will become his next opera diva. The book is short in length but the author, Lynn Kazi does very well in telling the story and keeps the reader interested with the constant flow from chapter to chapter.

 

 Excerpts from the new, revised COTTONLAND SONGSTRESS,

now available:

Darkness made a helpful cover for Abram’s escape overnight, but the sinister eyes of daylight tracked his burly presence on the rolling prarieland. If he could make it across the Alabama River’s northern bend, the Pine Ridge might keep him hidden. Never mind that he was more than three-hundred miles from the nearest free state. Even if he reached the northern Alabama border, two full states choked in slavery’s grip stretched before him.

But Abram’s thirst for release chafed him every minute of his thirty years. Every ripple across his chestnut-shaded flesh demanded a man’s overdue privileges. He was tired of gritting back moans under a leather stropping, tired of spitting dirt from shoveling trenches, tired of pocketing one-minute wages for two week’s work, tired of a griping belly growling to be full just once. Through one merciful night, no master or overseer bossed his food intake, ordered hay bales heaved across his broad back, or decided on the perfect wife for him. One free night might extend into two ...  

    “You stop right there, boy, or we’ll blow yer fool head off!”

   All patrollers seized Abram by handfuls beyond the leaping dogs’ reach, then Woodley stepped in.

“Hold it! Before justice is passed, I want y’all to meet my guest, Mr. Peter Stohl from Vienna, Austria. Stohl, I was hopin’ you’d meet my neighbors under more peaceful circumstances, but this is as good a time as any. I’m sure my fellow Coalition members wouldn’t object to me offerin’ you first lick at this nigger!”

  The other men formed a wide circle around the European and the bondman. Peter spoke above the yelping dog team.

“Where I come from, we believe in a fair fight, man to man. I’d be honored to thrash this runaway for his offense. Like to take a swing at me, boy? You haven’t the nerve to strike a white man! Had your hands in too much hog slop to know how to fight! You’re a halfhearted nigger, aren’t you? A cowardly slave, the worst kind! While you lit out like a scalded pig, which of these white men shared your wife’s cabin last night?”

Abram’s fist slammed into Peter’s mouth. The patrollers circled closer, as Peter countered with a right cross to Abram's jaw.  The provoked black hurled a jab into Stohl’s gut. Peter connected a shortwinded uppercut to the slave’s chin. Abram rocked back, then lunged a head-butting grip around Peter’s pale throat, dropping both rivals to the ground. The hounds barked, patrollers yelled, cheering on Stohl and cursing Abram. The brawlers rumbled in the dirt, their kicks discharging the same explosive impact as their punches. Peter rolled on top of Abram, backhanding the slave across the face. Abram lifted Peter by his neck and threw him aside, scrambling to his feet an instant before his white opponent. Abram delivered right and left blows to Peter’s battered frame. The unstoppable black trounced heated fists into his reddened enemy, both men trading blow for forceful blow. Peter stayed toe-to-toe in a mismatch, outclassed by a stronger, angrier fighter. Abram’s reckoning of his last moments on earth gave him determination to whip some stuffing out of a white man.

                *         *         *        *        *       *         *         *        *        *

 

By the time the evening horn sounded, only a few field slaves didn’t hear the news about Abram’s fatal torture. The house slaves met them back at the quarter. Norlice wasted no time to speak free and clear.

“Y’all hear ‘bout what happened?”

“Oh, mercy Lord, mercy Lord!” Portensia sobbed.

“He almost got hisself away befo’ they catched him,” Dicey said.

“It was him an’ Cap’n Stohl fightin’!” Norlice added, drawing a gaping stare from D’Orleans. “Patrollers standin’ all around, watchin’ ‘em pour it on!”

“An’ it was Abram what swung the first punch!” Biddy said.

“What kinda fool nigger would up an’ wallop a white man,” Laban wondered, “in front of a pa’cel’a patrollers holdin’ guns?”

“What kinda white man would let hisself git whomped by a nigger, an’ not kill ‘im right off?” D’Orleans argued.

“Don’t make no difference,” Hamp said. “Just ‘cause he fetched you up to the great house an’ turned you aloose after singin’ some parlor music, don’t mean he ain’t got no mean streak!”

“An’ whilst we is at it,” Biddy turned to D’Orleans, “what’s all that he be tellin’ you these dark mornin’s, out by the tree?”

“Nothin’,” the girl dodged. “Just some story ‘bout a good soldier an’ a bad soldier.”

“Yeah? What about ‘em?” Elect faced her.

“Nothin’ much,” her voice dropped.

“Don’t look like nothin’ much from what I seen,” Cleta sneered. “What did them soldiers do that you had to know about?”

“I told y’all,” D’Orleans bristled, “it ain’t nothin’ but some white man’s foolishness.”

“Mo’ devil’s talk,” Portensia said.

“This whole business,” snapped Cleta, “him tellin’ such a tale to a young gal in the dark mornin’ means he can call on the spirits to bust through our conjure, if you acks me.”

“Fo’ once, Cleta might be right,” Biddy agreed. “them pretty white mens is the biggest tricksters of ‘em all! Marsa Woodley is a hog, Marsa Addax is a snake; but I’d keep me a closer watch on Cap’n Stohl than any of ‘em!”

                                 *        *         *         *         *        *        *

The slave car had no windows and little ventilation. A foul-smelling hay pile rested in a distant corner. The sour air didn’t seem to affect an older black man and woman who shared car space. D’Orleans backed herself against the wall opposite the secured doorway, and slid herself down to the floor. Only after she sat did she notice the silent, elder couple, since they blended into the dark, wooden surroundings. They never took their constant stares off the girl since her abrupt entry. D’Orleans decided to test whether those folks had any tongues. “Mornin’.”

“Mornin’,” they mumbled, still staring. “How far is you goin’?” asked the woman.

“My new marsa say three hun’ered miles.” The modest girl smoothed her skirt, giving the couple more action to gaze at.

“You ain’t never been on no train befo’, is you?” noted the man.

“I ain’t never been stared at so hard since the white folks was pokin’ me up fo’ a sale.”

“Sassy nigger,” muttered the woman.

“Why that stinkin’ hay over there?” D’Orleans pointed.

“You’ll find out,” the woman sneered, “when yo’ water can’t hold fo’ no three hun’ered miles.”

                                               

 “This yo’ first time onboard a ship, ain’t it, gal?”

“Sho’ it is, Seth! She ain’t been off the plantation, let alone on a ship! You can still count the weevils on her head rag!”

“What all does you do fo’ that fancy-lookin’ white man you come on board with, nigger?”

“I got me a name, it’s D’Orleans. And I does respectable cookin’ an’ cleanin’ work.”

“Yeah, you be cookin’ an’ cleanin’ whilst it be daytime. You got you ‘nother chore come nighttime, Miz D’awlins.”

“Yeah, it’s called sleepin’,” D’Orleans unpacked the fruit. “Mr. Peter be too busy studyin’ his music papers to be botherin’ me with no foolishness! I bet if these here plucked chickens could talk, they’d have plenty to say ‘bout what a kitchen boy does to ‘em whilst they’s so far from land!”

The girl’s audacity rocked the young fellows back harder than a wave. Earl squared up for a comeback.

“Listen, gal, after we shove off an’ this bucket gets to choppin’ up knots, all this food ain’t gonna look so good. Yo’ stomach’s gonna turn over.”

“An’ that ain’t all,” Seth took it up. “They got some critters comin’ through the planks at night, what can ooze up into yo’ cot whilst you’s sleepin’. They all brown an’ crusty-lookin’, longer’n a rattlesnake!”

“Then this salty air makes ‘em turn green.”

“I don’t believe none’a y’all.” D’Orleans stayed busy with the tray.

“How you know? You ain’t never been onboard no ship befo’! Me ‘n Earl seen ‘em!”

                                              *         *         *        *        *

D’Orleans meditated on her role. No problem fitting into the scenes that called for anguish and despair, but what did it really feel like to be a bride in love? That caused a struggle, until she remembered Elect.

Their last private conversation was their longest. She never noticed him that much before; just another colored boy with a bent back. No sparks flew when their paths crossed. At least, not for D’Orleans. It was only when she got tapped for a sale that he spoke up more. She saw into his eyes for the first time. Unlike other black folks’ faces, death didn’t look back. Courage was kindled. A reason to fight. Those sweet words he said about her voice. That long embrace in his arms. Elect came as close as a breath away from asking D’Orleans to marry him. If she answered “yes,” how would it matter? Elect held her hand, and stood up to Stohl, but it always came down to “Marsa said.”

                                              *         *         *        *        *

“Back on the plantation, we weren’t allowed a break from our chores until we put out the lamps inside our cabins, hours past sunset.”

“You lived on a plantation?” Nadeau served her a sandwich.

“I’d hardly call it livin’ when we got a spoonful’a grub for breakin’ dirt from dark early to dark late, and gettin’ whupped blind just ‘cause the marsa had a grudge. But I had friends there.”

“You miss your friends and family now,” Chamount sipped from his goblet.

“I never knew my real family. I was sold to Major Woodley soon as I was old enough to have babies. Couldn’t have none, though. My friend Norlice is still there, and her mother, Biddy. I guess Biddy’s the closest to a mother I know.”

The soprano’s co-stars pressed caring looks upon her, longing for more facts. D’Orleans bit into her sandwich, shutting down the subject.

All their gentlemanly kindness got lost someplace between where she sat and the land she was plucked from. Those white musicians had blood ties to bragging butchers who partied at a black man’s hanging. That brand of cruelty she knew. A less familiar sort crept up on her with sweetness.

  

 

Articles

News Of Note featured in Your Royalty Note, San Diego Christian Writer's Guild Newsletter, December 2004:

The San Diego Central Library included my novel, Swordsman on the Narrow Pathway, in their 39th Annual Local Authors Exhibit throughout the month of February, 2005. [note:  Thanks to the library and all who attended the exhibit, particularly the enthusiastic readers I met!  It was an encouraging success.]

 

 Excerpts from SWORDSMAN ON THE NARROW PATHWAY

 

“Yo Reesh, you seen this article in the Courier?

“Which one?”

“They’re having open auditions for Porgy and Bess at Heinz Hall!”

“You thinking about trying out, sweetie?”

“Well, you know, we could go down there, check it out… don’t cost nothin’.”

“It might be fun to go and look around – I’ve never seen a live audition before. There might be some famous singers showin’ up! We could get their autographs…”

“They might be crowdin’ me for my autograph, if I walk outta there with a part!”

They laughed all the way to the theater. The cuddling couple chuckled over Keldrik’s limited experience. There’s no way I’d make those finals, he figured.

Before lining up with the tenors, he squeezed a loving farewell upon Iresha’s hand, loving caresses radiating from their eyes, then he released her, turned aside, a bit part-apprentice up from the church choir.

When called, he strode forward. Iresha noticed that the thoughtful discipline projected from his regal, dark complexion was no longer self-mocking, and she soon suspected that his adoring, closed smile aimed in her direction was not meant for her at all. His look transmitted assured contentment, as if he never really regarded that matter as a joke, but as occupying the very spot where he always belonged.

          *       *       *        *        *        *          *        *          *

Watching the gospel concert video was supposed to help. A switch to fabric-matching for a new dress pattern failed to hold her attention for long. Hearing only juvenile-bred commercials squawking across the radio dial hardly passed the time with joy. The phone call from Momma definitely did not. All she seemed to talk about these days was how those favorite sons from the old neighborhood made it big in her sight, and how a sliver of hope remained that her youngest daughter could still set a claim on any one of them:

“You remember Jimmy Ravens, Iresha? High-water-pants-can’t dance. He used to tell me how he’d dream about you told me it was after he ate a crab apple then I’d go run and play the number, and it always hit! I’d like to see you try to run now, Momma. He’s workin’ down at the City-County Building, got his own office on the fifth floor!! And crap games in the basement, no wonder our streets never get fixed. Then there’s Darnell Wilson from Rural Street, he got a promotion at the post office! He tacks up wanted posters of his family tree. You know he’s had a thing for you since grade school, a thing called herpes and I think you kinda liked him, too. What I liked was his sister’s ‘Right On!’ collection. He’s still got that shy smile with those cute dimples…” Dead give-away he just stole something. Momma knew Keldrik was due to call as soon as he got settled in New York. Nine o’clock, he promised.

           *       *       *        *        *        *          *        *          *

 “Maybe you oughta hope he don’t get the job, in case they put him onstage all squeezed up in a hot love scene.”

“That could be the reason why he don’t get the job,” Gail blurted,“to keep him from serenading some white, big-bosom diva. And those women can’t wait to get their hands on him.”

“You know they’re the ones pullin’ all the strings! You ready for that, Iresha?”

“It’s all just for the show. Keldrik’s as fine an actor as he is a singer. I know when he comes to see me, I’m gettin’ the real deal.”

“Looks like it can get real enough on that stage,” nudged Pam.

                                    *       *       *        *        *        *          *        *          *

   The flight attendant gently awakened Keldrik from his first sound sleep

in a week. He stroked his jaw and turned a bleary gaze out the window, while the pilot droned out an announcement welcoming passengers to Pittsburgh International. Gradually, the reason Keldrik found himself seated onboard an airplane muddled into focus. Dull twinges in his deltoids, biceps and quads confirmed that an audition had taken place. Such a fine job, they said. What did that mean? Ve vill infahm you. Made it sound like an execution.

 

Keldrik climbed into his dark green Tercel, escaped from the airport parking lot, and cruised down the Parkway East. There was no way he was ready to greet Iresha after another dismal outcome. Before he rested in his lady’s comforting embrace, he’d face one additional obstacle. Nothing could make the gloom from a failure-destined audition seem brighter, than a visit to his father.

 

“Hey, Pods.”

 

“Uh-huh. Come in here, chin all draggin’…what that church woman do to you?”

“I just flew in from New York, man, I haven’t even seen Iresha yet. I’m beat, that’s all.”

 

“What was you doin’ up there?” 

 

Keldrik’s plop onto the plastic-encased sofa wheezed a heavy exhale from the cushion as he sat back. “My agent got me an audition…”

 

“I told you, boy, white people only want to see their own on that stage.”

 

“Then why don’t you ever help change the scenery, and come to hear me sing?”

 

“I ain’t gonna be shamed into watchin’ you make a fool of yourself. I told you, when you was workin’ in the Strip District, you coulda put in a application at the big post office down on Grant Street. If you’d’a talked to my friend Smitty, he’d’a put in a good word for you. Coulda been workin’ steady, good pay, benefits – shoot, you was just at the airport! Coulda put in a application there! I told you, I know a buncha skycaps around the airlines: Boone, Tolliver… they know all the other guys, makin’ themselves some good tips. Or be one’a them baggage drovers…”

 

“Pods, I’m a singer...”

 

“That mess you tryin’ to do ain’t our singin’! Nat King Cole was singin’. Joe Williams was singin’. Billy Eckstine, James Moody…”

 

“Hey, I’m grateful to all those brothers, plus the dudes who schooled me on Broadway! I’m grateful to George Shirley and Roland Hayes, too! I played cuts from their albums for you. Pods, they’re brothers, and I follow what they’ve done…”

 

“… An’ you know the onliest reason why those boojy Negroes took up that

hollerin’ – to spread the fever so thick around Europe, until your black butt gets kept off any stage over here where you’d be squeezin’ up on white women!”

 

“Man, there are sisters in opera, too: Hendricks, Crider, Blackwell, Kabatu…”

 

“Uh-huh. An’ I don’t have to tell you how they got up there.”

 

“By beatin’ out the competition, that’s how! Practice, tryouts, tryin’out again – sisters stacked up miles of first prize awards and stage credentials to be headliners here now, and they each paid their own heavy dues on foreign land! Pods, in Europe all they care about is hearing a fine voice…”

 

“Then stay over there! Stay over there! You ain’t doin’ your people no good over here tryin’ to be a white man!”

 

“You never understood! That ain’t what this is about, bein’ a white man!

Brothers and sisters need to know there’s somethin’ goin’ on about music besides ventin’ grudges and booty shakin’! We can add dashes of our recipe

into orchestrated stories on conspiracy, conflict, disputed love and political upheaval…”

 

“Stories your people can’t afford.”

 

“They ain’t gotta buy a season ticket! One time, they just need to see it once, and they’ll know! Maybe all it takes is one or two operas a year, and with senior discounts, even you can afford that! Or just see it on TV...”

 

“I heard that kinda music makes your voice crack.”

 

 

                             *      *      *      *      *       *      *     *     *        *

 

 Iresha closed her door after the babbling agent, then turned to a fidgety Keldrik: “Europe? Again?

“Reesh, you heard Greg, he says this is the break that’ll finally get me a lead in the states…”

“How long has he said that?”

“I know, Greg can OD on some optimism, a straight-up frequent flyer. But check it out, it’s Samson and Delilah, plucked right outta Judges 16…”

“You said you were through traveling overseas. You said you were keeping your performances close to home.”

“You have to know there’s somethin’ about this gig that spells ‘arrival’!”

“Seems like the more you ‘arrive,’ the sooner you gotta take off again!”

“Baby, I promise, this will be the last time you get left behind, ‘cause when I get back, you’ll be escorted by a star U.S.A. tenor, namely me!”

“I’ve heard that promise before. What a bomb to drop now, outta the clear blue! After all our expectations of spending more time together, isn’t this the kind of situation a man sits down and discusses with his fiancée first? What happened to turning your studies back to my world?”

“Who do you think I’m doin’ this for?”

“Gregory Tabor!”

“You crazy. He ain’t wearin’ my engagement ring.”

“And neither am I!” Iresha twisted the diamond-inlaid gold band off her shaky finger, and pitched it to the carpet. “Tabor’s got a bigger ring through your nose!”

“What’s that supposed to mean?”

“Nothin’… never mind! You and ‘Greg’ go ahead and cook up your next production!”

“Hold up, we gotta straighten this out right here and now…”

“Look, I don’t know how many times I told you what I go through on my job, being isolated and misunderstood day after day – now I see you never heard a word I said!”

“Is that what this is about? Of course I heard you!”

“Yeah? If you did, you’d understand how it sounds to have you takin’ off when I’m the one needing your support now! If it wasn’t for Jaela and…well, I wouldn’t get no kinda understanding at all! And besides, the publishing business goes international, too, you know! You might not be the only nigger in the sky!”

“Hey, you get a promotion or somethin’?”

“Now that’s the first question you asked about my career! See how it works?”

“I know how a contract works. It says to get my black butt on that plane over the big dip!”

“Did you talk to me before signing your name to that contract?”

“I’ve always had your support before, and this time I negotiated for a different tenor to sing on Sundays! I knew you’d appreciate that, and cheer me on!”

“I could stand some ‘rumble beat’ thrown in my direction, too! The publishing house is closed every weekend, and we need that worship time together! There’s a backbreakin’ war goin’ on in that office, but I guess only those of us workin’ on the front lines can understand that. Maybe musicians can only relate to other stagestruck wailers driftin’ through dreamland, ‘cause somethin’ is definitely missin’ here!”

“All I see is my ring missin’ from your finger,” Keldrik stooped to retrieve it. I’m workin’ too, baby. It ain’t no cabaret for me over there.”

                         *      *      *      *      *       *      *     *     *        *

   The triple-decked Majestic flagship glided its 277-foot length westward down the calm Monongahela River in sparkling, grand sidewheeler style. A jolt of fantasy infected the passengers, all workingclass folks and devoted readers: golden-jeweled, African-American recipients of an elegant VIP evening in the legendary manner of bygone riverboat adventures. Formally attired brothers and sisters, serviced by the crew’s spotless courtesy, nodded smiles in mutual awareness to one another through the shipboard promenade, sharing sweet, esteemed finery, anticipating a lively evening with admired authors.

“Which author do you want to meet first?”

“Don’t forget,” Iresha reminded the lingering Darius, “you promised me an introduction to Chaney.”

“I don’t think he’ll try to headlock me no more,” Darius chuckled. “But I’ll match my proposals against his novels any day.”

“I see why you’re determined to promote them. I should have been going to these affairs all along!”

“You needed the right escort and guide. And I get word on these events in advance. I’m looking forward to the day they’ll be held in a black-owned hotel chain or cruise liner fleet. A step in that direction is planned during a convention scheduled for Detroit next summer. Would you be interested?”

“You know I would. Fill me in on the details, and I’ll check my work schedule.”

“I noticed you only said your work schedule.”

“That’s right.”

“I also noticed you aren’t wearing your lovely ring.”

“I must have dropped it or something.”

“Shall we go meet our honored guests?”

Iresha slid her delicate hand through the powerful crook of his brawny forearm. “That’s what I’m here for.” She melted him with a smile that could have capsized the flagship.

“Promise me,” he leaned closer, “I’ll get an invitation for the future banquet in your honor.”

“Most likely, you’ll be the one who sets it up!”

 

 Glossary

English Translations for phrases found in SWORDSMAN ON THE NARROW PATHWAY

French

p. 28                     Instant charmant              Enchanting hour

p. 28              oú la crainte fait trêve    free from fear true or seeming

p. 28      Est-ce un rêve?  Est-ce la folie?     Is is a dream?  Is it a fantasy?

Manon! Vous êtes la maîtresse de mon coeur!  Manon! You are the ruler of my heart!

p. 37                    Ah fuyez douce image      Ah leave me, sweet dream

p. 38                    Ce nom…et pourquoi?     That name...and why?

p. 38                 Ah!… Fuyez loin de moi!    Ah!... Get out far from me!

p. 92               Arrêtez ô mes frères!          Rise up, my brothers!

 Italian

p. 7   Vesti La Giubba  Put on your costume [a broken hearted clown's show-must-go-on theme song] 

p. 20, 140   tessitura  [musical term] Dominant range of a vocal or instrumental part, where most of the melody resides

p. 64     Fin ch’han dal vino calda la testa una gran festa fa’ preparar!…

Wine overflowing, come one and all to my party, guaranteed to rock you into the night!

 p. 65     Ah, la mia lista doman mattina d’una decina devi aumentare!

And by tomorrow, I'll have a hot batch of new honeys' names added to my book!

p. 66             Beva con me! Beva beva…    Drink with me!  Drink drink...

p. 84                           paisano  [slang]      Friend, pal

p. 91                  da capo [musical term]     To the beginning

p. 95                 sotto voce [musical term]          softly vocalized 

p. 98          con molto piacere  [a greeting, at introduction] with much pleasure

p.100  Taci, melanzane! Ti spacco il cerebro!   Quiet, eggplant!  I'll break your head!

p.100 Bada, padrone! Abbassi le spade!  Watch out, head cheese!  My blade is fierce!

p.112    Chi c’è per farmi i ricci?!     Who says they're going to rearrange my hair?

p.129    agitato con brio!.......più dolore!   Anger with brilliance!.......More pain!

p.139                         Esultate!           Rise to glory!

p 140   tessitura  [musical term] Dominant range of a vocal or instrumental part, where most of the melody resides

p.141   Sì Pel Ciel   Yes by heaven (an explosive tenor-baritone duet closing Act II of Verdi's Otello )

p.146                    brindisi               drinking song

 German

p.132 Ob blond ob braun    Whether blonde or brunette  [a sporty tune for a guy not choosy]     

 

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