Jose Da Silveira

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Articles/Reviews


Reviews:

Amazing I finally received my novel and read it in two hours. It is amazing, I can't wait for number 2--Rosa, USA

Just bought this book I just received the Birth of a World yesterday from a friend who knows the writer, I had been waiting for its release for more than two months, and read it in two hours. It is simply brillant. I could not stop reading, I have never read such an amazing saga; it took me in a completely different Universe, to places I would not even be able to imagine. What a novel, what a masterpiece...I can't wait for book number two to come out. Jose Da Silveira is pure genious.--Jerome, France

 

Press:

"At first glance I was mesmerized by the ethereal beauty of the women painted by José Da Silveira...as a collective his paintings reveal the spectacular spectrum of womankind...softness to vibrancy...friend sister lover mother...as women we are one yet each woman emanates her own quintessential beauty...José Da Silveira possess a rare gift...the gift of insight...his ability to see beneath the tangible flesh of immediate reality reveals the internal exquisite treasure of woman."

Get Underground Magazine

"José's paintings illustrate the mingled romanticism of his inner world and triumphs and trials of his life in vibrant, flowing colors that all but radiate physical sensations of emotion...for all his mysticism, he proves as grounded in the modern world as the rich artistic context of the past."
Sequential Tart Magazine

"His mastery of colors and pigments allow him to exercise total control over his canvas. His images grab the heart and the imagination and pull the viewer into the world which exists only within the four corners of his creation."
Left Coast Art

"Soul of a Woman" by Star Jewel Smith, Get Underground Magazine "At first glance I was mesmerized by the ethereal beauty of the women painted by José Da Silveira...as a collective his paintings reveal the spectacular spectrum of womankind...softness to vibrancy...friend sister lover mother...as women we are one yet each woman emanates her own quintessential beauty...José Da Silveira possess a rare gift...the gift of insight...his ability to see beneath the tangible flesh of immediate reality reveals the internal exquisite treasure of woman. José is a classically trained artist who began as a realistic painter...i moved away from it when I realized I could not express fully what I wanted to put in a painting through realism...years ago a journalist dubbed his art Formism...although such terms may make art easier for people to understand José is against every type of ism which reduces artists and their work...I have always seen the term as a limitation and am moving away from it...my artistry should not be categorized because the subject leads the way I paint and not the reverse...to be good José feels art must be direct and temporal but at the same time linked to the time it is painted. unlike artists who paint themselves and the perception of their subject the captivation of his creativity manifests from his attempt to discover what his subject will not show the world...the little light which sets the subject apart from the rest of us...i try to paint the soul of others through my own experience...more precisely José paints what the ancient Greeks referred to as the anima which is what breathes life into us...his art is very spiritual and beauty is part of it...there is beauty in everything...there is the world we live in which is only a shadowy representation of another world where everything is perfect...José goes beyond our world to tap into the essence of things and paints what is behind the flesh"
Get Underground Magazine

"Formism, Feeling, and José Da Silveira's Muse" by Tracy Paddock and Laura DePuy, Sequential Tart Magazine
"José Da Silveira has been called one of the last masters of the art world. Da Silveira was discovered by a noted art critic at the youthful age of 16, and his work as been widely celebrated, particularly in Europe. In part, this title may be due to decades of study with influential artists of our time, during which José honed a style one reporter dubbed Formism. Formism is a sort of surrealism (Formism is also known as Naïve Surrealism) without borders, literally on the canvas, abounding with high-energy colors to direct the eye, and a wealth of artistic technique somewhat reminiscent of Van Gogh and Picasso's work. José's paintings illustrate the mingled romanticism of his inner world and the triumphs and trials of his life in vibrant, flowing colors that all but radiate physical sensations of emotion; his passion for his birthplace of Africa; his romance with Provence; his ability to find inner serenity, and liberation from any manner of confinement. The source of José's gift is impossible for any but José to resolve. In part, we can safely attribute it to his formative years, caught between civil wars, and - as he related in his haunting narrative voice - to long, cold hours of practice with almost no materials. However, to hear him tell it is to realize the source of his art is more ethereal. The Greeks; Shakespeare; poetry in general once made references to artistic Muses, as if creating art were more spiritual than physical. In many ways, José's stirring descriptions of painting remind me of divine intervention by another agency, though, in this case, the agency is the unchained power of his imagination. José Da Silveira's narrative voice is so evocative while he is discussing his work, that his poetic replies, much like his paintings, seem a snapshot of his essence, a delightful door opened to the creative force of another being. Yet, for all his mysticism, he proves as grounded in the modern world as the rich artistic context of the past."

Galerie Veillon - FORMISM
"Although difficult to describe a new school of painting, it is even more so when its creator refuses to recognize its existence. José M. Da Silveira continues to be surprised that an entire generation of young artists are attempting to follow his example. However, art critics throughout France and Europe as well as here, at the Gallerie Veillon have come to recognize Formism as one of the foremost upcoming schools of painting for the 21st Century.
Formism, also known as Naive Surrealism, combines form and color to create a three dimensional image on the canvas. The canvas has no limit, no boundary. Poetic figures existing only in the symbolic world of the painter's imagination reach out to us with their message of questioning serenity. The colors and images are, powerful but delicate. Da Silveira describes his work as inspired: "I cannot control my art. Images are sent to me in my dreams and I reproduce this world which exists only in my mind." Bacchus, a recent work by Da Silveira, from the Musical Winds Collection, clearly represents the formist vision. The mythological figure appears to be flying in a sea of gold, the canvas has no boundary, it is another world, a world of poetry and beauty."


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